That F-word again. What is it about freedom that makes bravehearts out of mortal men and women and exiles out of writers and artists? Absolute freedom is the stuff of dreams. In the real world, freedom of expression comes at a price. Taslima Nasrin and M F Husain are two of South Asia’s best known examples in this regard.
On Friday, it was announced that Nasrin's Indian residential permit had been renewed. It was in India that she sought refuge after she was banished from her own country 16 years ago. Till two days ago, she did not know if she would have to leave India on August 17 or would be allowed to stay on. The Bangladeshi writer says the uncertainty is the price of speaking the truth "bluntly...I write what I feel, what I believe. Every society across the world has persecuted whoever has done that."
What of Husain, the 95-year-old painter, who must live away from his homeland and take Qatari nationality? He tells TOI: "In the last 5,000 years, Indian art has never suffered such setbacks (as now), not even during British rule." What does he mean? What crimes have Nasrin and Husain committed that the governments of their home countries have been unable to guarantee them the right to live freely and securely and the right to create? Perhaps their ‘crime' is that ‘people' might be offended by them.
British philosopher A C Grayling says the right to offence "is a major technique" used by religious groups. "Social and political satire is one of the healthy features of debate in liberal democracies, and so is challenge and criticism. Efforts to silence people who say things you do not like to hear are regressive and unacceptable," Grayling says in "Liberty in the Age of Terror: A defence of civil liberties and enlightenment values''.
The liberty myth Author Amit Chaudhuri and revolutionary poet Varavara Rao, whose writings have roused hundreds to revolt against the system, agree that absolute freedom is a myth. "But it's an attractive one," says Chaudhuri. VV, as the poet is popularly known, says "In a society riven by class, freedom cannot be absolute even in art and literature. My freedom to stretch my hand should stop at your nose. It is not that you can put your finger in my eye or I can put my hand in your mouth to crush you".
On Friday, it was announced that Nasrin's Indian residential permit had been renewed. It was in India that she sought refuge after she was banished from her own country 16 years ago. Till two days ago, she did not know if she would have to leave India on August 17 or would be allowed to stay on. The Bangladeshi writer says the uncertainty is the price of speaking the truth "bluntly...I write what I feel, what I believe. Every society across the world has persecuted whoever has done that."
What of Husain, the 95-year-old painter, who must live away from his homeland and take Qatari nationality? He tells TOI: "In the last 5,000 years, Indian art has never suffered such setbacks (as now), not even during British rule." What does he mean? What crimes have Nasrin and Husain committed that the governments of their home countries have been unable to guarantee them the right to live freely and securely and the right to create? Perhaps their ‘crime' is that ‘people' might be offended by them.
British philosopher A C Grayling says the right to offence "is a major technique" used by religious groups. "Social and political satire is one of the healthy features of debate in liberal democracies, and so is challenge and criticism. Efforts to silence people who say things you do not like to hear are regressive and unacceptable," Grayling says in "Liberty in the Age of Terror: A defence of civil liberties and enlightenment values''.
The liberty myth Author Amit Chaudhuri and revolutionary poet Varavara Rao, whose writings have roused hundreds to revolt against the system, agree that absolute freedom is a myth. "But it's an attractive one," says Chaudhuri. VV, as the poet is popularly known, says "In a society riven by class, freedom cannot be absolute even in art and literature. My freedom to stretch my hand should stop at your nose. It is not that you can put your finger in my eye or I can put my hand in your mouth to crush you".